On Dicember 7 I completed both Belief: Sloth & Belief : Wrath, and uploaded on MySpace, Last.FM and Missero.it:
12. Belief: Sloth
A bit sloth and a bit lazy, 7/4 . Maybe it's the most mainstream part of Outskirt, a contaminated synthpop.
13. Belief: Wrath (Hommage à Shinu Mazafakingu Ujimushi)
It's a cover of TBA by Shinu Mazafakingu Ujimushi, an english grindcore band who recorded only that song on a Lo-Fi or Die compilation. I listened to it zillion of times, for a couple of reasons:
1) I got it only in mp3, and it's disgusting low quality, maybe they did it with a VeryVeryLame mp3 codec for bad cell phones. Sounds are melted like you were listening the band from into a washing machine, except a tom, in fact ...
2) song's "melody" (...) is overpowered by a single note, the one of a very acute tom, metallic like the snare drum by Metallica in St. Anger (years before Metallica).
I just couldn't stop to listen that watery roaring made by bass drum, bass, guitar and snare drum, and above this hammer hits piercing my brain. Sometime I think that I probably I'd never love so much it if it was not so really bad coded. Points 1) and 2) are in symbiosis.
I replayed (almost) slavishly same drum sequence, with different timbers and sounds, and recreated the "roaring" with three violas. The result is kind of "Kronos Quartet plays Shinu Mazafakingu Ujimushi". And I putted on a different layer the rest of drums, reaching three plans instead of the original two.
A bit sloth and a bit lazy, 7/4 . Maybe it's the most mainstream part of Outskirt, a contaminated synthpop.
13. Belief: Wrath (Hommage à Shinu Mazafakingu Ujimushi)
It's a cover of TBA by Shinu Mazafakingu Ujimushi, an english grindcore band who recorded only that song on a Lo-Fi or Die compilation. I listened to it zillion of times, for a couple of reasons:
1) I got it only in mp3, and it's disgusting low quality, maybe they did it with a VeryVeryLame mp3 codec for bad cell phones. Sounds are melted like you were listening the band from into a washing machine, except a tom, in fact ...
2) song's "melody" (...) is overpowered by a single note, the one of a very acute tom, metallic like the snare drum by Metallica in St. Anger (years before Metallica).
I just couldn't stop to listen that watery roaring made by bass drum, bass, guitar and snare drum, and above this hammer hits piercing my brain. Sometime I think that I probably I'd never love so much it if it was not so really bad coded. Points 1) and 2) are in symbiosis.
I replayed (almost) slavishly same drum sequence, with different timbers and sounds, and recreated the "roaring" with three violas. The result is kind of "Kronos Quartet plays Shinu Mazafakingu Ujimushi". And I putted on a different layer the rest of drums, reaching three plans instead of the original two.
Now I only miss 15. Belief: Pride. So I'm just a little late (one day) on my supposed timeline.
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